Tip #5. Ignore all reasonable sounding advice like “write about what you know,” “read as much as you can,” or “try to write every day.” If you need to hear this advice you are in the wrong game. But more importantly, reasonableness won’t get the job done. One day in an ice-stricken back alley in Boston I saw a fat little Irishman beat the daylights out of four larger, stronger assailants. When it was over, and it was over astonishingly quickly, he brushed himself off and said simply, “I had to get unreasonable with ‘em.”
Unless you are willing to face the unreasonable in yourself -- unless you are willing to entertain some strange notions (and deal with them when they stick around) -- unless you are willing to get lost, confused and even terrified -- then what you’re doing won’t have any meaning. The famous device of conflict upon which all stories are supposed to hinge starts within the writer. You are all the characters in your dreams and so too with a novel. You can’t put your creations into jeopardy or into embarrassing or miraculous situations without going there yourself, and that is not a sensible ambition for a grown person to have. As a writer who has made more mistakes than most, my goal above all else is to be very, very unreasonable.
About the Author:[/br]
Kris Saknussemm grew up in the San Francisco Bay Area but has for a long time lived abroad, in the Pacific Islands and Australia. A painter and sculptor as well as a writer, his fiction and poetry have appeared in such publications as The Hudson Review, The Boston Review, The Antioch Review, New Letters, and ZYZZYA. Zanesville is his first novel and the first in a series of books called The Lodemania Testament.
For more from Saknussemm, see his essay, "It's All in Your Head," about the themes of his second novel, Private Midnight.
