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Literary Magazines to Note

By Ginny Wiehardt, About.com

Ready to submit work to literary magazines, but feeling overwhelmed? Though the journals below are well-respected, many of them contributing to prize anthologies such as Pushcart and Best American, many are also open to new writers. Brief descriptions of each literary magazine are provided here; click through for more information.

American Short Fiction

Courtesy of American Short Fiction.
A quarterly, American Short Fiction strives to discover and publish new stories in which transformations of language, narrative, and character occur swiftly, deftly, and unexpectedly. They are drawn to evocative language, unique subject matter, and an overall sense of immediacy.

Fence

If responses to your work tend to include, "I don't get it," or "What does it mean?" there's a chance it belongs in Fence. Begun in the late 90s by graduates of the University of Iowa's MFA program, Fence created a place for the writers who took up where the language poets left off.

Glimmer Train

Susan Burmeister-Brown and Linda B. Swanson-Davies started Glimmer Train with the simple goal of publishing the kind of fiction they like to read -- and with a healthy circulation of 16,000, their tastes are clearly shared by many.

The Journal

The Journal, published twice yearly by the Ohio State University, publishes exciting, challenging writing, without giving the impression that writers are the core audience. If you care about both language and a well-crafted plot, consider The Journal.

Manoa

Image courtesy of Frank Stewart
Launched in 1989 by University of Hawai'i professor Frank Stewart, Mānoa strives to bring the literature of Asia, the Pacific, and the Americas to English-speaking readers. The quality of the writing and the design, combined with the fact that it is truly international, set Mānoa apart from other American journals.

The Notre Dame Review

Published semi-annually by the University of Notre Dame's English Department, the Notre Dame Review offers innovative literary fiction. It has a circulation of 1,500 and has won Pushcart prizes in fiction and poetry.

The New Yorker

Founded in 1925 by Harold Ross, The New Yorker continues to be one of the most venerated publishers of short fiction. As such, it has helped make the careers of writers including John Updike, Haruki Murakami, Alice Munro, and Raymond Carver.

The Paris Review

The Paris Review has published early work by authors such as A.S. Byatt, Denis Johnson, Philip Roth, and Thomas Wolfe. Clearly since its Paris inception in 1953, it has become one of the most renowned journals in the U.S.

Ploughshares

Published three times a year, each issue of Ploughshares is guest-edited by a prominent writer, which leads to a more varied point of view than may be found in other journals. Recent editions included work by Ann Beattie, Ron Carlson, and Cynthia Weiner. They have a circulation of 6,000 readers.

Timothy McSweeney's Quarterly Concern

Dave Eggers founded McSweeney's in order to publish work being rejected elsewhere (though contributors have since included David Foster Wallace, Rick Moody, and Heidi Julavits). McSweeney's has a very distinctive voice, described by the New York Times as "quirky, whimsical and slightly Victorian," so get to know the journal before you submit.

Virginia Quarterly Review

Kerrie Flanagan, director of Northern Colorado Writers, shares her thoughts on this venerable journal, which has been publishing new work since 1924.

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